Fragrances

1270 Extrême deepens the original 1270 into a richer sweet-fruity-spicy composition with more body and a darker polished cognac-like warmth. It feels fuller, smoother, and more enveloping than the original.

A leathery woody-spicy fragrance built around saffron, black pepper, nutmeg, carnation, suede, sandalwood, patchouli, and musk. It has a rich maroon character: spicy, dry, and faintly floral, with a suede accord that gives the base a supple leathery texture. It feels warmer and more sensual than the earlier numbered Odin scents.

A woody leather fragrance with cinnamon, rhubarb, black currant, bergamot, and ginger over a floral iris-jasmine heart and a base of nagarmotha, vanilla, leather, frankincense, and sandalwood. It moves between tart fruit, dry spice, smoked woods, and supple leather, giving the impression of something historical, dusty, and travel-worn without becoming flat or old-fashioned. The vanilla softens the darker materials, but the result remains earthy and assertive.

A radiant white-floral amber with ylang-ylang, jasmine, benzoin, and softly glowing resins that feels expansive and golden. It has a luminous almost celestial quality, but the base stays warm and human rather than abstract.

An amber-floral built around jasmine sambac, myrrh, cistus, olibanum, vanilla, and amber, inspired by Michelangelo’s Pietà and meant to feel spiritual and sensual at once. It wears with a warm glowing softness, but the resins and myrrh keep it from becoming merely sweet, so it feels devotional, nostalgic, and quietly dramatic.

150 Parfum is a woody aromatic fragrance built around orange, violet leaf, labdanum, bergamot, sandalwood, patchouli, cedar, vanilla, tonka-like warmth, amber, and musk. It feels smooth, modern, and more structured than a simple warm woody scent.

A historical fantasy scent with a ceremonial, old-European mood, suggesting cool stone, incense, florals, and dry woods. It feels like an early art-project perfume built more around place and atmosphere than easy wear.

A quietly polished citrus-aromatic built around mandarin, grapefruit, lavender, basil, and a soft musky woody base. It feels crisp, clean, and tailored in the understated Jo Malone style, with more structure than a simple eau de cologne.

A dark aromatic-spiced fragrance with a restless, modern mood: bitter herbal facets, shadowy woods, and a warm resinous base create a feverish contrast between brightness and depth. It feels nocturnal and artistic, more like an uneasy Florence evening than a clean cologne.

A brisk aromatic-spicy composition with bergamot, mandarin, rosemary, thyme, iris, black pepper, incense, cedar, amber, vanilla, and musk. It opens with a vivid herbal-citrus brightness, then settles into a smoother incense-and-wood base that feels elegant, masculine, and quietly historical rather than loud or modern-blue.

1697 is a warm ambered gourmand inspired by the cognac house heritage, balancing dried fruits, spices, woods, and resinous sweetness in a plush luxurious structure. It feels rich, enveloping, and very comfortable without losing elegance.

16th Century is a commemorative fragrance with a polished oriental structure of amber, woods, musk, and soft spice. It feels celebratory and collectible, while remaining wearable rather than novelty-like.

A soft spicy fougère where citrus, lavender, star anise, licorice, and woods create a sensual powdered warmth rather than a barbershop sharpness. It feels elegant and flirtatious, with sweetness and herbs held in unusually smooth balance.

A dark leathery amber with davana, artemisia, coriander, patchouli, immortelle, labdanum, and birch that smells scorched, smoky, and slightly decadent. It has the drama of a worn leather chair in low light, with enough warmth underneath to keep the severity compelling.

A refined woody-floral fragrance named for Santa Eulalia’s heritage, balancing elegant brightness with smooth modern warmth. It reads as polished Barcelona tailoring translated into scent: composed, luminous, and quietly luxurious, with enough depth to feel more formal than a simple fresh fragrance.

A concentrated Forte interpretation of 175, giving the house’s tailored woody-floral elegance a deeper and more enveloping finish. It feels smoother, more resinous, and more evening-ready than the original, while keeping a polished Barcelona refinement.

Oud Mosaic interprets rose and oud in a more wearable and polished Banana Republic style, avoiding excessive heaviness. It feels plush, woody, and a little exotic without becoming rough.

17th Century is a commemorative fragrance with a polished oriental structure of amber, woods, musk, and soft spice. It feels celebratory and collectible, while remaining wearable rather than novelty-like.

A lush fruity floral built around peach, pineapple, jasmine, rose, and soft spices, with a creamy finish that feels tropical without becoming sugary. It is warm, generous, and feminine, but the fruit is softened into velvet rather than gloss.

A white-floral amber with lily, violet, patchouli, benzoin, and vanilla that opens creamy and plush before turning darker and more resinous. It feels romantic and ornate, but the woods and incense keep it from becoming overly sweet.