Fragrances

A polished green fruity-floral chypre with cassis, galbanum, basil, bergamot, pineapple, peach, and raspberry opening into a full bouquet of white and yellow flowers. The mossy iris, sandalwood, vetiver, ambergris, and musk base keeps the sweetness tailored rather than girlish. It feels sunny and Mediterranean, but still structured and elegant.

An opulent fruity-spicy oriental built around ripe plum, peach, citrus, cinnamon, cardamom, clove, rose, jasmine, incense, labdanum, sandalwood, patchouli, tonka, and vanilla. It feels dramatic and perfumed in an old-school way: rich fruit and warm spices over a resinous base, glamorous without becoming sugary.

A dry leather chypre with a cool herbal opening, floral-aromatic lift, and a deep leather, wood, moss, smoke, and animalic base. It is crisp rather than plush, severe rather than cozy, and reads as a dressed-up leather fragrance with a stern, distinguished edge.

Alabaster is a soft floral with a clean musky finish and a quiet elegant mood. It feels smooth, feminine, and understated rather than overly sweet.

A rich honeyed amber-floral with orange blossom, ylang-ylang, rose, jasmine, iris, patchouli, benzoin, labdanum, sandalwood, vanilla, and musk. It feels plush and old-world in the best way: sweet, spicy, floral, and resinous, with a glowing amber base that gives the composition its reputation as one of the house's great signatures.

A warm oriental fragrance with fruit, florals, amber, musk, and smooth woods. It feels elegant and versatile, combining sweet brightness with a soft resinous base and a polished unisex trail.

A concentrated amber composition with resin, labdanum-like warmth, spice, and a dense golden finish. It feels traditional and direct, built to showcase amber materials in a rich extrait style.

A sumptuous oriental where rose, narcissus, jasmine, osmanthus, spices, woods, amber, and resins create the atmosphere of a perfumed palace at dusk. It feels opulent and enveloping, but Villoresi keeps enough air in the structure that it remains elegant instead of oppressive.

A dark resinous-spicy composition inspired by Moorish ornament and warm architectural shadow. Saffron and black pepper create a glowing spice opening, while labdanum, birch, and tolu balsam pull the fragrance toward smoke, leather, and deep amber. It feels rich, dry, and ceremonial, with a dusky incense-like warmth rather than easy sweetness.

A feminine oriental with sweet florals, musk, amber, and soft woods. It feels smooth and classic, with a graceful perfume character rather than a dense oud statement.

À la nuit is a dense jasmine fragrance that feels narcotic, floral-sweet, and almost nocturnal in mood. It is lush, intimate, and very much built around white-floral intensity rather than freshness.

À La Rose is one of the house’s best-known florals, presenting rose in a luminous fresh style with citrus brightness and a smooth musky finish. It feels elegant, airy, and very much shaped by refinement rather than heaviness.

A rose-focused fragrance with bright petals, soft fruit, musk, amber, and smooth woods. It feels modern, pretty, and approachable, presenting rose as fresh and lightly sweet rather than vintage or heavy. The dry-down is clean and feminine, with a gentle rosy trail.

A fresh mountain-inspired fragrance with cool air, citrus brightness, aromatic herbs, and a clean woody base. It feels brisk and outdoorsy, suggesting open landscapes, dry wind, and smooth masculine freshness. The scent is polished enough for daily wear but still has a rugged alpine character.

A newer aromatic-fresh extension of Alatau, giving the mountain-air idea more lift, brightness, and modern diffusion. It feels clean, breezy, and optimistic, with citrus, airy musks, and smooth woods creating a crisp open-sky effect. The fragrance reads casual, sporty, and easy to wear.

A soft amber-iris composition with hazelnut warmth and a pale powdery glow. The texture is creamy and slightly nutty, giving it the feel of a gentle, luminous skin scent with a golden undertone.

A light white-floral fragrance with jasmine, ylang-ylang, neroli, violet, musk, and a soft green marine freshness. It feels like a bright coastal morning: white petals, clean air, pale sun, and a gentle musky transparency rather than a heavy indolic floral.

A woody oriental with bergamot, nutmeg, violet leaves, lavender, jasmine, patchouli, cedar, amber, and musk that feels bright at first and increasingly warm as it settles. It has a very composed modern elegance, balancing freshness and depth well.

Albanian Van Gogh is a concentrated Ensar Oud composition with natural oud, resinous woods, spice, and animalic warmth shaping the structure. It feels handcrafted, dense, and slow-moving, emphasizing material quality and texture over a conventional polished fragrance style.

A fresh floral fragrance with rose, lemon, bergamot, neroli, broom, geranium, jasmine, olive blossom, rosemary, sea water, cedar, and musk. It opens bright and breezy, with citrus and neroli giving a clean Mediterranean lift before the floral heart turns greener, saltier, and more aromatic. It feels like pale flowers near the sea, polished but natural, with a delicate olive-blossom and broom character that keeps it connected to the Italian landscape.