Fragrances

A rich amber gourmand with black cherry, honey, tobacco leaf, chocolate, cinnamon, rose, citrus, oud, patchouli, sandalwood, amber, and vanilla. It feels dark, sticky, and seductive, with boozy-fruit sweetness wrapped in smoke, spice, and warm woods. The drydown is plush and dramatic, closer to a late-night amber than a simple cherry scent.

A green aromatic with citrus, eucalyptus, mint, tea, fig, and a faint tobacco-seagrass finish that captures island vegetation more than postcard beach sweetness. It feels brisk, leafy, and a little unusual, with a breezy outdoorsy character throughout.

A stronger, greener version of Io Capri that intensifies the eucalyptus, mint, tea, fig, and seagrass facets into something more textured and distinctive. It keeps the outdoorsy island feeling of the original while adding more persistence and a darker herbal edge.

Io Non Ho Mani Che Mi Accarezzino il Volto is an olfactory tribute to photographer Mario Giacomelli and his haunting images of seminarians. The fragrance moves in a stark, meditative register of incense, woods, resin, and shadow, suggesting black-and-white fabric, old rooms, and spiritual discipline rather than polished sweetness. Its smoky warmth and musky finish feel human and fragile, like a trace of skin left inside a sacred space.

Ipanema Posto Nove is a tropical floral-woody musk with violet, coconut, rosewood, rose, jasmine, incense, clove, mandarin, patchouli, and cedar. It feels warm, relaxed, and sunlit, with creamy beachside florals and soft woods instead of a sugary suntan-lotion effect.

A bright icy floral that feels white, airy, and almost crystalline, like snowlight falling across spring blossoms. It is one of Villoresi’s most luminous compositions, fresh without being watery and floral without being dense.

A strange and modern iris fragrance where the usual cool powdery elegance is bent toward brighter tropical facets. It feels both soft and uncanny, as if polished iris had been dropped into a humid neon greenhouse.

A dry, modern woody-musk built around iris, carrot seed, juniper, vetiver, cedar, and Iso E Super. It has a cool mineral smoothness and a tailored, charcoal-grey feeling, with powdery iris softened by airy woods rather than sweetness.

A denser extrait-style interpretation of Iridium, keeping the angelica, carrot seed, juniper, iris, cedar, vetiver, and Iso E Super signature while giving the woody-musky structure more weight. It feels smoother, darker, and more concentrated than the original without changing the basic character.

Irina is a softer floral-musky Le Gemme Imperiali fragrance with magnolia, jasmine, and musk shaping a clean luxury mood. It feels airy, graceful, and quietly refined.

A floral-focused Fragonard composition that treats Iris as the main color while surrounding it with the house's soft freshness and refined musky warmth. It feels natural, decorative, and luminous, more like a carefully arranged bouquet than a heavy abstract perfume.

A creamy iris-patchouli fragrance with a refined cosmetic elegance and a darker woody-musky undertone. The iris gives it a cool powdery nobility, while patchouli, musk, and soft woods keep it from becoming too delicate or old-fashioned. It feels polished, intimate, and quietly luxurious.

Iris Blanc: Tigerwood is a floral-natural Ensar Oud composition where petals, resinous woods, and oud are arranged with the house's heavy, concentrated texture. It feels ornate and intimate, letting the floral material read as plush and living rather than cosmetic, with oud and ambered fixatives adding shadow and persistence.

Iris Bleu Gris is one of the more admired MPeG classics, presenting iris in a cool woody-amber style that feels elegant, dry, and refined rather than powdery and sweet. It wears with great balance and a composed vintage charm.

Iris Céladon is a soft elegant iris with tea-like calm and a clean musky base, one of the most serene fragrances in the Privé range. It feels airy, refined, and contemplative.

A cool, rooty iris made more unusual by smoke, spice, tobacco, and ambered resins, so the flower reads as ashy and earthy rather than cosmetic or prim. It feels reflective and slightly austere at first, then softer and creamier as the incense and powdery facets settle into the skin.

A creamy iris fragrance with Italian orange, bergamot, cardamom, iris, rose, orris, sandalwood, cognac, geranium, musk, cedar, vanilla, oud, castoreum, cinnamon, and vetiver. It feels powdery and elegant but not delicate, with polished florals over a surprisingly deep woody-animalic base.

A cool iris composition brightened by citrus and green facets, then grounded by woods and amber in a discreet chypre-like frame. It feels silvery, polished, and a little remote, with the orris kept airy and chic instead of cosmetic or heavy.

A striking green iris built around pea and iris facets that feel dewy, rooty, and unexpectedly fresh. It smells elegant but also vividly alive, like crushed stems and cool petals seen through morning mist.

A graceful iris fragrance that feels like open Tuscan air passing through flowering meadows rather than a closed cosmetic powder room. The iris is cool and noble, but it is softened by petal brightness and woody warmth so the scent stays luminous instead of austere.